Sat, 14:48: New discovery suggests London’s story goes back more than 3,000 years longer than previously thought… https://t.co/zFjW1Nwz7P
Sat, 16:05: RT @juliakite: OK, I see today’s hysteria is, “New York City is throwing dead COVID-19 patients in mass graves you can see from space,” so…
Sat, 19:49: RT @bbcdoctorwho: “I just wanted to say, hello. Hello Doctor. It’s so very very nice to meet you.” #DoctorWho fans around the world are goi…
Sat, 21:01: RT @neilhimself: This is so exciting! I remember describing the junkyard planet as The Totters Lane at the End of the Universe in the scri…
Sat, 21:03: RT @neilhimself: Right. So there were several versions of the opening scene with the Doctor receiving the Time Lord Message Box. When the e…
Sat, 21:04: RT @neilhimself: "Scrumptious little beauty" -- I'd been awed as a boy by the time lord message box thing in THE WAR GAMES... #BiggerOnTheI…
Sat, 21:07: RT @neilhimself: The idea that the Corsair had regenerated as men and women was something that turned up in a draft and I expected Steven M…
Sat, 21:09: RT @neilhimself: Nephew as an Ood was a budget decision. He was meant to be a patchwork creature, but we didn't have the money to make it.…
Sat, 21:13: RT @neilhimself: No, Michael. She was definitely the ONLY character in both shows. I wouldn't just forget something like that, if there was…
Sat, 21:13: RT @rclarkie: So much going on in this story. Such lovely precise lines of dialogue. Moving, funny and scary from one moment to the next. #…
Sat, 21:15: RT @neilhimself: Originally, when it was just Amy, and she was sent back to the TARDIS, she found her engagement ring. But Rory didn't exis…
Sat, 21:18: RT @BlogtorWho: The script actually specifies that Idris goes “VWORP! VWORP!” in reference to the classic @dwmtweets comic strip sound effe…
Sat, 21:20: RT @neilhimself: Headcanon: the TARDIS takes the Doctor where he needs to be, not where he wants to go. Since I was about six or seven. So…
Sat, 21:23: RT @rclarkie: The constant playing with time was a genius conceit from @neilhimself It was the main thing that guided us in creating the ch…
Sat, 21:26: RT @neilhimself: I wrote so many Rory and Amy adventures inside the TARDIS. Most of them were defeated by budget. One of them was defeated…
Sat, 21:27: RT @rclarkie: Possibly my favourite sc. Genuinely moving relationship. Wanted Matt to move backwards and forwards to reflect how he felt ab…
Sat, 21:30: RT @neilhimself: Rory and the Zero Room. I remember writing a few different versions of this. In one of them Rory levitated, but budget rea…
Sat, 21:32: RT @rclarkie: Amy and Rory were actually crawling along the floor with a wind machine blowing at them to make it look like they are climbin…
Sat, 21:32: RT @dduane: The genius of this whole sequence is that it’s capable of frightening a full-grown adult as thoroughly as the kid-hiding-behind…
Sat, 21:34: RT @rclarkie: Every shot of the flying broken Tardis had to be storyboarded. Limited budgets always keeps you one your toes. #BiggerOnTheIn…
Sat, 21:34: RT @neilhimself: I was thinking of Harlan Ellison's short story I HAVE NO MOUTH AND I MUST SCREAM when I wrote the version of Rory and Amy'…
Sat, 21:38: RT @rclarkie: Control rooms materialising inside control rooms. Can't tell you what a headache it was trying to achieve that. #BiggerOnTheI…
Sat, 21:42: RT @rclarkie: It was not easy trying to hit the right emotional pitch for this end beat between the Tardis and the Doctor. Need to be painf…
Sat, 21:55: RT @neilhimself: LOVE THIS SCENE SO MUCH. Steven Moffat added Amy's "Did you wish really hard?" which makes it 1000 times better! #BiggerOn…
Sat, 22:11: RT @Emily_Rosina: Join in with a worldwide watchalong of 'Heaven Sent' on Tuesday 14 April (Peter Capaldi's birthday!) featuring live tweet…
