This is a year when the Hugo voters rather than the Oscar voters have been vindicated by history; Dr. Strangelove is rated top film of 1964 on one of the IMDB rankings, and third on the other, behind Mary Poppins and (oddly) The Gorgon, with the actual Oscar winner, My Fair Lady, well behind. Mary Poppins is of course also genre, as is arguably A Hard Day's Night, but I can see why Hugo voters chose as they did; the only other recorded nominee is 7 Faces of Dr. Lao. Here's a trailer.
A few familiar faces here. The Russian ambassador, de Sadesky, is played by Peter Bull, who is fresh from playing Thwackum in Tom Jones.
Shane Rimmer, better known of course as the voice of Scott Tracy on Thunderbirds, is Captain 'Ace' Owens here. But he was also Seth Harper in the Doctor Who story The Gunfighters in 1966.
And Glenn Beck (not that Glenn Beck) is the navigator Lieutenant Kivel here, and appeared in another 1966 Doctor Who story, The Tenth Planet, as a TV announcer.
The plane is being flown by Scott Tracy and Darth Vader, Lieutenant Luther Zogg being an early film appearance by James Earl Jones, in restrospect the biggest star to appear in the film (I think unarguably a bigger star than Peter Sellers, taking his entire career into account).
But of course the performer that everyone remembers from Dr. Strangelove is Peter Sellers. I watched the film with F, who did not spot until I pointed out to him that the title character, the British officer and the US President were all payed by the same actor. (Stanley Kubrick is said to have complained that he got three performances out of Sellers for the price of six.)
I would have said it should lose marks for having only one woman in the entire film (Tracy Reed as Miss Scott/Miss Foreign Affairs), but I suspect that's part of the point Kubrick is making.
I had seen it before, but I must say I really enjoyed the return visit (and sharing it with F). The black humour is spot on. It's probably a bit unfair to Wernher von Braun, who is the obvious target of Dr. Strangelove, and possibly a bit unfair in its characterising of the American military ethos and culture, but the wider point of the horrific danger of nuclear war is well made, even though the precise mechanism of global destruction is fictitious. It's not very far in time or concept from here to the famous "Daisy" advertisement which helped LBJ consolidate his victory over Barry Goldwater in 1964. It's only 60 seconds long - watch it, if you haven't seen it.
I found both the book the film was based on, and the novelisation of the film, quick reads. Second paragraph of Red Alert, as by Peter Bryant:
Clint Brown held the plane in a steady port orbit. As soon as Mellows had passed the word to hold at X point he had taken over manual control of Alabama Angel. There was no particular need for him to have done it. The autopilot could hold height, speed, and rate of turn, just as well as he could. Better in fact, he thought wryly, as he noticed he had lost a hundred or so feet since he took over. He made the small correction required, and wondered just why he had taken over. He thought it was almost certainly because, if the word came, he have the bomber under his control as well as his command. It occurred to him he had never felt that way before when the order had come to hold. He concentrated grimly on his instruments, waiting like the rest of the crew. But with a chill presentiment that he already knew what the message would be.Second paragraph of Dr Strangelove: or How I Learned to Stop Worrying and Love the Bomb, as by Peter George (same writer as Peter Bryant):
Lieutenant Goldberg’s attention was suddenly and unpleasantly disturbed by a clicking from the CRM-114. He watched with vague interest while letters and numerals clicked into place on the dials, reached for his code book, and began decoding. When he had finished, he frowned in puzzlement, tapped the defence-systems officer, Lieutenant Dietrich, lightly on the shoulder to draw his attention, and showed him the message pad.Neither of the books is very funny. With Red Alert that is entirely intentional; it is written as an Awful Warning, and even so a couple of the better lines survived to the film in improved form.
|Red Alert||Dr. Strangelove (script)|
|[Brigadier General Quinten]: “Paul, you can think what you like of me, and so can the rest of the world. I know that what I’ve done is right. Do you remember what Clemenceau once said about war?”
“No, I don’t.” Howard’s voice was almost normal again.
“He said war was too important a matter to be left to generals. At the moment he said it, he was probably right. But now it’s swung the other way. When a war can be won and lost an hour after it starts, then war is too important to be left to politicians. The Russians know it. And they also know we don’t work things that way. That’s why, in a couple of hours from now, they’ll have lost. There’ll be no more threats from them. In a few hours the whole shape of the world will be changed. Remember what they did to Hungary back in ’56? They won’t be able to do that again, not ever.”
|General Jack D. Ripper: Mandrake, do you recall what Clemenceau once said about war?
Group Capt. Lionel Mandrake: No, I don't think I do, sir, no.
General Jack D. Ripper: He said war was too important to be left to the generals. When he said that, 50 years ago, he might have been right. But today, war is too important to be left to politicians. They have neither the time, the training, nor the inclination for strategic thought. I can no longer sit back and allow Communist infiltration, Communist indoctrination, Communist subversion and the international Communist conspiracy to sap and impurify all of our precious bodily fluids.
|[Brigadier General Quinten, again]: “Men, I want to impress on you the need for watchfulness. The enemy will try any tricks to fool you into letting him on the base. He may come individually, or he may come in strength. He may well come in the uniform of our own combat troops. But however he comes, we have to stop him.
“I’m going to give you three simple rules. The first is to trust no one, whatever his uniform, whatever his rank, who is not known to you personally. The second is anyone or anything that approaches within two hundred yards of the perimeter is fired on. And the third—if in doubt, fire anyway. I would sooner accept a few casualties through accident than lose a whole base and its personnel through over-caution.
“That’s about all I have to say except for two small points. Any variation on the rules I have given you must come from me. Personally. I want that clearly understood. There are no exceptions to it, whatever the circumstances. And last of all, I know you are all worried about your families both on the base here and all over our country. Well, let’s make sure we defend the families here on the base. Because you can depend on it that other Americans are defending your families elsewhere with the same unyielding spirit we’re going to show here at Sonora. Good luck to you all.”
|General Jack D. Ripper: Your Commie has no regard for human life, not even his own. And for this reason, men, I want to impress upon you the need for extreme watchfulness. The enemy may come individually, or he may come in strength. He may even come in the uniform of our own troops. But however he comes, we must stop him. We must not allow him to gain entrance to this base.
Now, I'm going to give you THREE SIMPLE rules: First, trust NO one, whatever his uniform or rank, unless he is known to you personally; Second, anyone or anything that approaches within 200 yards of the perimeter is to be FIRED UPON; Third, if in doubt, shoot first then ask questions afterward. I would sooner accept a few casualties through accidents rather losing the entire base and its personnel through carelessness.
Any variation of these rules must come from me personally. Any variation on these rules must come from me personally. Now, men, in conclusion, I would like to say that, in the two years it has been my privilege to be your commanding officer, I have always expected the best from you, and you have never given me anything less than that. Today, the nation is counting on us. We're not going to let them down. Good luck to you all.
By contrast, the book-of-the-film leaves out a lot of the good lines and really brings home just how much the film owes to Kubrick's directorial genius. You can get Red Alert here, and the book-of-the-film here (thanks to Candy Jar Books).