November 27th, 2021

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cinema

Chicago (2002)

Chicago won the Oscar for Best Picture of 2002, and five others: Best Supporting Actress (Catherine Zeta-Jones, beating fellow cast member Queen Latifah), Best Art Direction, Best Costume Design, Best Film Editing and Best Sound. It lost in another six categories, two of them to Roman Polanski’s The Pianist. That year’s Hugo and Nebula winner, The Lord of the Rings: The Two Towers, also won two Oscars that year.

The other four Oscar nominees were The Lord of the Rings: The Two Towers, which I have of course seen, and Gangs of New York, The Hours and The Pianist, which I haven't. This was a year when I was settling into a new job and preparing for our third child’s arrival; the only other 2002 films I have seen are Harry Potter and the Chamber of Secrets, Minority Report, Die Another Day, Men in Black II, Austin Powers in Goldmember and Scooby Doo. Naming no names, I know someone who watched Scooby Doo in late pregnancy and laughed so much that she went into labour. I think they are all entertaining enough but none stands out for me. IMDB users rank Chicago 25th on one ranking and 28th on the other, behind most films mentioned above. Here's a trailer.

Slightly surprisingly, none of the cast had been in previous Oscar-winning or Hugo/Nebula-winning films, or (less surprisingly) in Doctor Who.

It is a story about murderesses awaiting trial in 1920s Chicago. In some ways it is a blast from the past. Four of the eight winners from 1961 to 1968 were musicals; this is the first one since then. Seven of the eight from 1967 to 1974 were about crime and law enforcement; the only other one since then was The Silence of the Lambs.

I have a bad case of COVID, so I’m not going to go into my usual depth. I did enjoy Chicago. However the erotic and sexualised dancing was somewhat lost on me last week; I think my libido has not been lower since I hit puberty. I was really struck at how well the old classics All That Jazz and Razzle-Dazzle were integrated into the script, and then discovered that both songs actually originated with the 1975 stage show of Chicago. They must have penetrated popular culture really quickly; I am sure I remember Morecambe and Wise doing a routine to at least one of them, which must have been very soon after. The West End show ran from 1979 to 1980.


The other song that really made me sit up was the Cell Block Tango:

Renee Zellweger as the main character gets only one really good song, with Catherine Zeta-Jones:
Also shoutout to Queen Latifa, Lucy Liu and John C. Reilly for their roles.

Sure, Toronto doesn't look much like Chicago, and one may object that in real life, no woman was executed by the state of Illinois between 1845 and 1962. But that's beside the point. The film is not at all subtle in calling out the celebrification of criminals and the flaws of a justice system driven by showmanship. Watching it in the week of the Kyle Rittenhouse verdict, I felt the point just as relevant today as in 2002, or when the musical came out in 1975, or when the original play was written in 1926.

I'm putting it about a third of the way down my ranking, just below that other Chicago-set film, The Sting, and ahead of The English Patient.

Next up is the only film to win Oscar, Hugo and Nebula. (But first, The Two Towers.)

1920s: Wings (1927-28) | The Broadway Melody (1928-29)
1930s: All Quiet on the Western Front (1929-30) | Cimarron (1930-31) | Grand Hotel (1931-32) | Cavalcade (1932-33) | It Happened One Night (1934) | Mutiny on the Bounty (1935, and books) | The Great Ziegfeld (1936) | The Life of Emile Zola (1937) | You Can't Take It with You (1938) | Gone with the Wind (1939, and book)
1940s: Rebecca (1940) | How Green Was My Valley (1941) | Mrs. Miniver (1942) | Casablanca (1943) | Going My Way (1944) | The Lost Weekend (1945) | The Best Years of Our Lives (1946) | Gentleman's Agreement (1947) | Hamlet (1948) | All the King's Men (1949)
1950s: All About Eve (1950) | An American in Paris (1951) | The Greatest Show on Earth (1952) | From Here to Eternity (1953) | On The Waterfront (1954, and book) | Marty (1955) | Around the World in Eighty Days (1956) | The Bridge on the River Kwai (1957) | Gigi (1958) | Ben-Hur (1959)
1960s: The Apartment (1960) | West Side Story (1961) | Lawrence of Arabia (1962) | Tom Jones (1963) | My Fair Lady (1964) | The Sound of Music (1965) | A Man for All Seasons (1966) | In the Heat of the Night (1967) | Oliver! (1968) | Midnight Cowboy (1969)
1970s: Patton (1970) | The French Connection (1971) | The Godfather (1972) | The Sting (1973) | The Godfather, Part II (1974) | One Flew Over the Cuckoo's Nest (1975) | Rocky (1976) | Annie Hall (1977) | The Deer Hunter (1978) | Kramer vs. Kramer (1979)
1980s: Ordinary People (1980) | Chariots of Fire (1981) | Gandhi (1982) | Terms of Endearment (1983) | Amadeus (1984) | Out of Africa (1985) | Platoon (1986) | The Last Emperor (1987) | Rain Man (1988) | Driving Miss Daisy (1989)
1990s: Dances With Wolves (1990) | The Silence of the Lambs (1991) | Unforgiven (1992) | Schindler's List (1993) | Forrest Gump (1994) | Braveheart (1995) | The English Patient (1996) | Titanic (1997) | Shakespeare in Love (1998) | American Beauty (1999)
21st century: Gladiator (2000) | A Beautiful Mind (2001) | Chicago (2002) | The Lord of the Rings: The Return of the King (2003) | Million Dollar Baby (2004) | Crash (2005)

not happy

COVID, day 10 and 620 days of plague

Not a lot better today in fact, and I’ve been out of bed less than yesterday. I am coughing a bit more but I’ll take that as a good sign as my lungs start to clear themselves. My oxidation level is as good as it’s been, usually around 94%. But I think the story from here is going to be one of dull slow recovery, so I don’t propose to keep up my daily updates after today.

Meanwhile poor B has had a positive diagnosis. It is impressive that her care home has managed to hold the line as long as they did in such a high risk environment. But it cannot be pleasant for her.

As expected, the Belgian infection rates are the worst they have ever been and still climbing, but the other key numbers – deaths, hospitalisations, ICU occupancy – are still some way below previous peaks. I have not really enjoyed becoming part of the statistics.

My kind work colleagues have sent me A Desolation Called Peace to read. I expect I will finish it fairly quickly. Thank you, chaps.