The one disappointment is the aural realisation of the hidden monster, the Morass, whose voice was distorted beyond comprehensibility. It's really rare for BF to have serious problems in this regard - the only other case I can remember was a Bernice Summerfield play, The Poison Seas, which featured Sea Devils so sibilant that their dialogue could not be made out. But it's disappointing when it happens.
Kiss of Death
The one disappointment is the aural realisation of the hidden monster, the Morass, whose voice was distorted beyond comprehensibility. It's really rare for BF to have serious problems in this regard - the only other case I can remember was a Bernice Summerfield play, The Poison Seas, which featured Sea Devils so sibilant that their dialogue could not be made out. But it's disappointing when it happens.
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Pyramids of Mars, by Kate Orman (and Robert Holmes and Terrance Dicks)
I'm not sure if I saw Pyramids of Mars when it was first broadcast in 1975; I know I did catch the edited rebroadcast in November 1976, which…
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The Evil of the Daleks, by Simon Guerrier (and John Peel)
The eleventh of the generally excellent Black Archive series of short books on individual Doctor Who stories addresses The Evil of the Daleks, the…
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The Flaming Soldier, by Christopher Bryant; The Dreamer’s Lament, by Benjamin Burford-Jones
Moving up my queued Doctor Who reviews in honour of my presence at Gallifrey One this weekend, here are a novella and novel in the generally good…
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