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I wrote up both Doctor Who and the Deadly Assassin and the Leela novelisations some time back, and Doctor Who and the Ribos Operation is one of the Ian Marter novels, so that brings me to the rest of the Season 16 Key To Time sequence. The first of these is an unofficial fan novelisation; the other four are by the inevitable Terrance Dicks. None of them, I'm afraid, is particularly outstanding.

16) Doctor Who and the Pirate Planet, by David Bishop with Paul Scoones

This is one book you won't have to buy; it is available on-line here, the first (in internal chronology) of the five "missing novelisations" provided by the New Zealand Doctor Who Fan Club, and the first of David Bishop's contributions to the extended canon (see also Who Killed Kennedy and the second series of Sarah Jane audios).

Bishop has added a few original touches to the Douglas Adams script, but unfortunately his own writing style was still pretty rough at this stage of his career. He certainly has improved since, but this was a wobbly start.

17) Doctor Who and the Stones of Blood, by Terrance Dicks

A standard Dicks write-what's-on-the-screen treatment, somewhat flattening a rather good story.

18) Doctor Who and the Androids of Tara, by Terrance Dicks

Another standard Dicks write-what's-on-the-screen treatment.

19) Doctor Who and the Power of Kroll, by Terrance Dicks

The Dicks/Holmes combination is a rather uneven predictor of quality, so it is worth noting that while this is generally considered the weakest of this season's televised stories, it is possibly the best of the Key to Time books, with the background to the Swampies, Rohm-Dutt and the refinery staff filled out a bit. Basically the only one of this season that I would recommend to the casual collector as opposed to the completist.

20) Doctor Who and the Armageddon Factor, by Terrance Dicks

Again, Dicks doesn't add much to what we saw on screen (with of course the added constraint of cutting six episodes down to Target size) and the weaknesses of the plot are consequently more visible.

The biggest disappointment of this run is that Mary Tamm's elegant, smart Romana doesn't come across as especially interesting on the printed page. This is no doubt due to a combination of factors - the general phenomenon where the brainy companions seem to come across less well in novelisations than the screamy ones, the fact that we're now in the period when Terrance Dicks was churning the books out at a rate of one a month or so, and perhaps the very visual presence of Mary Tamm - it seems to me a bigger contrast between impact on screen and on paper than for any character since the First Doctor.

Anyway, on to Romana II now. (And I am past the two-thirds mark for this insane project.)


( 5 comments — Leave a comment )
Jun. 13th, 2008 08:15 pm (UTC)
I've got the Power of Kroll and given how often I'm told it's a terrible story, I really enjoyed the book, particularly as you say, the staff and the Swampies.
Jun. 13th, 2008 08:40 pm (UTC)
All I can say is, don't set yourself up for disappointment by seeking out the TV original!
Jun. 13th, 2008 10:49 pm (UTC)
How does the trial scene with the Megara come across in The Stones of Blood? I thought it seemed very incongruous in the TV version, very much interrupting a story I'd been really enjoying up till then. Did it work any better in print?
Jun. 13th, 2008 10:56 pm (UTC)
Frankly, no. Dicks understands what is going on at that point no better than the average viewer. (Or, indeed, Tom Baker.)
Jun. 13th, 2008 11:06 pm (UTC)
Oh, well - I won't be missing anything if I don't bother reading it, then.
( 5 comments — Leave a comment )

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